Rico Gatson

Lahir:
1966
Tempat Tinggal:
Brooklyn, New York, USA
Kewarganegaraan:
American
Trust:
APT New York
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PERS & PUBLIKASI

  • The Armory Show opened to the public yesterday at Pier 92 & 94 in New York.

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  • Robustly chromatic, visually potent, at times compositionally labyrinthine and physically imposing, Rico Gatson’s mixed-media paintings, sculptures and collage-centric drawings are always, thanks in part to their carefully honed economy of forms and means, declarative, assertive and indelible—and unmistakably, unwaveringly his. On levels aesthetic and conceptual alike, Gatson does not imbue, but rather inundates his works with definitive, invariable force, executing them with just enough colorful vibrancy, linear keenness and mystical curiosity as to allow his viewers to almost—yet only almost, and this is crucial—miss or overlook their certainly important, equally cogent, subtly layered, variably strident socio-political content.

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  • Rico Gatson’s commanding paintings at Samson pulse with geometric abstraction, but they’re not all exclusively abstract. He builds some around archival images related to African-American history, and color-codes his bold patterns with sociopolitical meaning: black and white, or the red, green, and black associated with African nationalism, punched up with yellow. Colors beam out, but the black is roughly textured, sometimes tough, sometimes shiny: It pulls us in.

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  • The 2016 edition of the Moving Image fair, the fifth in New York City, is returning to the Waterfront New York Tunnel, a cavernous space that once held a notorious nightclub and is now best known as an easy way to get from 11th Avenue to the Hudson River waterfront.

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  • 10 Opening Exhibitions to Watch

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  • Robin Pogrebin's initial NY Times article, imputing "diminished stature" to the Brooklyn Museum, provoked considerable backlash from the museum profession.

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  • We are pleased to announce We’ve All Got Issues: Video Art from the APT Collection the first ever online, selling exhibition of video art featuring 16 videos by an international roster of member artists from Artist Pension Trust® (APT). The show is hosted by MutualArt.com and will be up for a period of two weeks from May 29 to June 12, 2014. All works will be shown in their full-length versions and made available for purchase through the website.

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  • Robin Pogrebin's initial NY Times article, imputing "diminished stature" to the Brooklyn Museum, provoked considerable backlash from the museum profession.

    Read More
  • Though it resides in a prime example of traditional museum architecture — a Beaux-Arts building designed in 1893 by McKim, Mead & White

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  • We all had our eyes on a dig at the bottom of the Gulf of Mexico for the last few months, which doesn't explain why, deep in the wonderful new exhibition

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  • Among the many fine American drawings on view at the Brooklyn Museum is this one by John Singleton Copley. Image courtesy the Brooklyn Museum.

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  • In the echo chamber that is the New York art world, where one voice can give the illusion of being many, the crusading cry of late

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  • Rico Gatson's mid-career retrospective at Exit Art wrestles beautifully with issues of racial identity and intolerance.

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  • What's most often challenging about video art is the time that it takes. More often than not, gallery go-ers will stop in front of a screen

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BIOGRAFI

Rico Gatson (b. 1966) attended Bethel University in St. Paul, Minnesota, and the Yale School of Art in New Haven, Connecticut.

Merging together Hollywood perceptions, history and current event, Rico Gatson’s videos and paintings are politically and racially charged commentary on the American landscape. From footage of the Watts riots in 1965 to scenes from D.W. Griffith’s Birth of a Nation racial injustice is navigated in his videos. His two-dimensional works are equally as provoking as his video work. Abstractions in black or white are actually politically loaded symbols. His sculptural work also depicts symbols of racism and hate. The ideology of Gatson’s work is meant to spark dialogue about race and articulate identity politics.

Recent solo exhibitions include: Samsøñ Projects, Boston, MA, Power Lines, Studio 10, Brooklyn, New York, (2016); Rico Gatson: When She Speaks, Ronald Feldman Fine Arts, New York, NY (2014) The Promise of Light, North Gallery, Wright Museum of Art, Beloit College, Beloit, WI(2013). Selected group exhibitions include Moving Image, The Tunnel, New York, NY (2016); OSMOS, New York, NY, Phantom, (2016); No Longer Empty, Queens, NY, Jameco Exchange (2017); Mead Art Museum, Amherst College, Amherst, MA, Accumulation: 5000 Years of Objects, Fictions, and Conversations, Columbus State University, Columbus, GA, (2017)

Gatson is held in the following collections; Bethel College, St. Paul, MN; Denver Art Museum, Denver, CO; Minneapolis Institute of Arts, Minneapolis, MN; Norton Family Foundation, Los Angeles, CA Smithsonian American Art Museum, Washington, D.C. The Kempner Museum, Kansas City, MO; The Studio Museum of Harlem, New York, NY; Yale University Art Gallery, New Haven, CT He is represented by Ronald Feldman Fine Arts Gallery in New York.

 


For additional information about this artist, visit Mutual Art