PLURIVERSALE VI The Old Left and the New Right

Opening on April 4, the group exhibition Enigmatic Majorities at ACADEMYSPACE features works by Anne Arndt, Xiao Ke/Zi Han, Cristina Lucas, Ferhat Özgür, Anand Patwardhan, Tomas Rafa, and Chulayarnnon Siriphol, and addresses the global dimension of the current shift. In their films, artists face “the people” in moments when that category is celebrated or only just constructed as an “empty signifier” floating in space, ready to gravitate this way or that.

 

The cornerstone of the season is the symposium The Extreme Centre on April 18 and 19 at Volksbühne am Rudolfplatz with the participation of historian and author Tariq Ali, sociologist Saskia Sassen, philosopher Ágnes Heller, journalist and writer Andreas Speit, social activist Teresa Forcades and philosopher and activist Srećko Horvat. The symposium takes its title from a recent book by Tariq Ali and looks at the future of politics in populist times.

 

On April 18, at the end of the first day of the symposium, Academy is proud to premiere a performance by New York–based artist Michael Portnoy, who, with his usual touch of paradox and sense of humor, will artistically reflect upon current political debates, in particular so-called “character assassination," the deliberate destruction of reputations through the misrepresentation of facts. The symposium ends April 19 with a live performance by one of the pioneers of antifascist subversion, the legendary Slovenian group Laibach.

 

As a follow-up to the symposium, Academy Member Mark Terkessidis, journalist Richard Gebhardt and anti-fascist activist Bianca Klose explore the rise of right-wing populism and the simultaneous decline of old-school right-wing parties in a discussion at ACADEMYSPACE on May 11.

 

Later in the program, the Academy presents the German premiere of the most recent monumental film by renowned Indian documentary filmmaker and political activist Anand Patwardhan, Ja Bhim Comrade (May 30 at Filmpalette). Also premiering are new artistic productions and coproductions by the Academy, among them Katarina Zdjelar’s new film on German choreographer Dore Hoyer’s work in the GDR inspired by Käthe Kollwitz (June 20 at the Kunsthochschule für Medien KHM) and Nature Theater of Oklahoma’s new film Germany: Year 2071 on June 25, the latter made in cooperation with Impulse Theater Festival. This year, the Academy also presents the results of its new experimental Open Call in the Paris region, initiated by Academy Member Monika Gintersdorfer.

 

On July 13, PLURIVERSALE VI ends with a lecture by British American political scientist Arun Kundnani on the relation of the right-wing with Islamophobia in the West and another Academy commission, a new sound performance by Academy Member Terre Thaemlitz, reflecting on the bourgeois, heterosexist notions of marriage, family and childbearing in their global dimension.

 

This season, the Academy also continues its educational program, the Youth Academy, with new guest artists, Bik van der Pol. A new reading group accompanies the entire program, following its themes with deeper readings.

 

Curated by Ekaterina Degot, David Riff, Aneta Rostkowska and the entire Academy team.

 

A full program of events will be presented shortly on www.academycologne.org.