PRESS & PUBLICATIONS
While visiting Luca Pozzi’s latest exhibition, “U-Drawings,” I found myself thinking about the ideas of the Hungarian artist and theorist György Kepes, particularly his essays in Language of Vision (1944) that describe light as a “creative medium,” capable of creating “a fresh sense of space.” Pozzi’s new work explores how light can be employed in the process of drawing, and also how drawing can be used a tool of awareness.
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Starting in Italian Art History and ending in Loop Quantum Gravity, Luca Pozzi is a product of his background. Working across science, nature and philosophy, the Milan-based artist cites Renaissance artists Tiziano and Leonardo Da Vinci, Mantegna, Tintoretto and De Chirico, Lucio Fontana, Gianni Colombo and many more as influences. That’s while collaborating with the likes of electronic engineer Janick Simeray on levitating sea-sponges in ‘The Star Platform’ and exploring the infinite potential of drawing using experiments by Professor Nicolas Gisin, responsible for teletransporting a photon in 2003, as a jumping off point.
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Da FL Gallery quattro dispositivi sospesi nello spazio e nel tempo rappresentano il fascio di particelle prima di una collisione in uno dei rivelatori dell’esperimento LHC del CERN.
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In his first solo exhibition at Galerie Alexander Levy, Milan-based visual artist Luca Pozzi experiments with the communicative qualities of movement and explores the mysterious place that is formed between two entities held apart in space and time. Curated by Carson Chan, ‘Discovery & Premonitions’ validates the intangible space between the observed and the imagined, with particular attention paid to the movement that occurs during the transition between these two states.
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The space-time is an all-encompassing container, where everything is next to each other in a holistic sense. There is a strange feeling of frozen time. Past, present and future are indistinguishable. A series of multidisciplinary correspondences are converging into a beautiful network of pure and basic information beyond geographical, political and linguistic borders. The importance of the less intuitive aspects of our reality: quantum gravity, teleportation, entanglement, augmented reality, time travel, cosmology and biodiversity. The result of an unusual correlation between theoretical physics, informatics and contemporary art.
Among the most recent and significant solo exhibitions include: The Messengers of Gravity 2015 (MEF, Museo Ettore Fico, Turin); Detectors 2015 (FL Gallery, Milan); The Time Paradox Instagram 2014 (Hocgallery); Oracle 2013 (Riot Studio, Naples) and The Messages of Gravity 2013 (Grimmuseum, Berlin); W4O 2012 (Barrier Foundation, Turin); W4O (1560-2012) (Kabe Contemporary, Miami); LOOPS 2011 (Fundación Pons, Madrid); W.O.G.U. Pennsylvania-Italy 1983/2009 and U-DRAWINGS 2010 (Federico Luger Gallery, Milan); A.E.W.O.M. The strabisme du Dragon 2010 (Museo Marino Marini, Florence), M Southern California-Italy 1995-2009 (Galleria Enrico Astuni, Pietrasanta). Among the most important group exhibitions include: Ñewpressionism 2014 (Swiss Institute, Milan); Open Monument 2013 (Kunstraum Kreuzberg Bethanien, Berlin); Marrakech Biennale 4 Higher Atlas 2012 (Teatre Royal, Marrakech); TOE [Theory of Everything] 2011 (CAB Bastille, Grenoble); Focus on Contemporary Italian Artist in the permanent collection 2011 (MAMBO, Museum of Contemporary art, Bologna) Broken Fall – Organic 2011 (Astuni Gallery, Bologna); He lives here? 2nd Moscow International Biennale for Young Art 2011 (The White Hall, Moscow) Languages and Expérimentations, Young artists in a contemporary collection 2011 (MART, Museum of Contemporary Art, Rovereto).
For additional information about this artist, visit Mutual Art
