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In 2004, while watching William Friedkin’s The Exorcist (1973), a US Army captain realized that the opening sequence – in which a small stone head
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Born in Chicago in 1964, Bettina Allamoda lives and works in Berlin. Far from limiting herself to her own art, which mixes performance, collage, sculpture and video, she alternately assumes the points of view of curator, writer or editor. The foundation of her work involves analysing and updating the visibility strategies at work in popular cultural phenomena such as fashion, art and architecture, challenging through discourse the social role and even the function of art today.
She has exhibited in numerous galleries and museums, with solo exhibitions including: NEWBUILD, Verein für Kunst und Kultur Rosa Luxemburg Platz, Berlin; Expo 2014, with Manfred Pernice, Brandenburgischer Kunstverein, Potsdam; Hybrid Naples 2013, Fondazione Morra Greco, Naples; No Go – The Exorcist Revisited/Brick Security, Kunsthaus Erfurt; Public Fabric 2009, with Rainer Kamlah, BM Suma Contemporary Art Center, Istanbul; Wall Wear/Nation Building, Hubert Bächler Gallery, Zurich; To Die For (with Nikolaus Utermöhlen), Berlin.
For additional information about this artist, visit Mutual Art
