Christoph Draeger

Born:
1965
Residence:
Vienna, Austria
Nationality:
Swiss
Trust:
APT Global One
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PRESS & PUBLICATIONS

  • "Constructed Histories," the new exhibit at the David B. Smith Gallery downtown, is as good as any contemporary show you might see at the Denver Art Museum these days. Maybe even better, considering the circumstances.

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  • 10 Opening Exhibitions to Watch

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  • 10 Opening Exhibitions to Watch

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  • The Brooklyn Museum will commemorate the tenth anniversary of the attack on the World Trade Center on September 11, 2001

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  • From photographs taken before the Twin Towers fell, to new artworks literally forged out of WTC debris, artists around the world are using their passion as a way to reflect, cope and heal. Whether you are looking for a way to commemorate the anniversary in tribute, memoriam or perhaps art therapy, MutualArt lists the major art events taking place in the Big Apple and the Capital.

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BIOGRAPHY
Christoph Draeger was born in 1965 in Switzerland and currently lives and works in Umeå, Sweden where he is professor at Umeå Academy of Fine Arts, and in Brooklyn, NY. He studied art at Ecole National Superieure des Arts Visuels de la Cambre in Brussels, Belgium (1990-1991) and at the School of Visual Arts in Lucerne, Switzerland (1986-1990). In 1996/1997 he was the Swiss artist-in-residence at the P.S.1 international studio program in New York, and in 2005/2006, he was the Landis & Gyr Stiftung artist-in-residence in London.
Draeger’s body of work takes form in installation, video, and photo-based media to explore issues pertaining to disaster and media-saturated culture. His works are based on historical events as well as apocalyptic scenes that the artist has created in his studio. He builds and photographs model landscapes that symbolize natural and man-made disasters. He’s also using press images of catastrophe for the production of large scale jigsaw puzzles for the acclaimed series “The Most Beautiful Disasters In the World”, many of which can be found in private and in museum collections. His videos often borrow from news footage, Hollywood movies and amateur video, which are then edited together into a contrived allegory for real catastrophic events. Draeger’s work parallels the objectivity found in news documentation of such events with the exploitative forces that manipulate the audience’s perception of that news.

For additional information about this artist, visit Mutual Art