Emily Roysdon

Exhibitions

In Brush Fires in the Social Landscape, the book of David Wojnarowicz’s photo-based work that was published posthumously in 1994, cameras are passed from artist to artist, artist to critic, critic to librarian.

Every new year promises a bevy of exciting new exhibitions and surprise, 2015 is no different, with its roster of long-overdue solo shows and group

Artist and writer Emily Roysdon produces projects at the intersection of social, political, and aesthetic space, evincing an interest in the invisible histories of public sites

Picasso, Whiteread, Van Dongen, Creed, Giacometti, Séguin, Siena and many more.

A league of extraordinary gentleman — or rather, a league of mildly insane self-taught artists like Charles Dellschau, Melvin Edward Nelson, Emery Blagdon

"Every savage can dance", says Darcy in Pride and Prejudice by Jane Austen. He could have added to this insult against aesthetic movement that even animals dance, like birds.

Artist and writer Emily Roysdon produces projects at the intersection of social, political, and aesthetic space, evincing an interest in the invisible histories of public sites

Picasso, Whiteread, Van Dongen, Creed, Giacometti, Séguin, Siena and many more.

A league of extraordinary gentleman — or rather, a league of mildly insane self-taught artists like Charles Dellschau, Melvin Edward Nelson, Emery Blagdon

Momentum is building for Ryder Ripps. A mere glance at the artist's press page reveals he's has had a very good year.

Richard Prince’s “de Kooning” series is a process of interaction with the canonic imagery of the Abstract Expressionist idol Willem de Kooning.

For my first post of 2013, I have interviewed artist and writer Emily Roysdon, whose interdisciplinary methodology takes the form of performance, phot