PRESS & PUBLICATIONS
Garth Weiser’s show at The Contemporary Austin made me angry. It could be partly my fault—I did come to the exhibition immediately after spending hours at the charming and clever Nina Katchadourian show at the Blanton—but at the same time, when I walked into the Contemporary’s newly remodeled building, my spirits were high.
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Exhibitions
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Modern design, contemporary architecture, dreamy views paired with exceptional art pieces, soft yet powerful background music, a beautiful audience, lots of positive energy and a fresh sea breeze. This exactly describes the feeling a guest had, attending last week's inauguration event, while entering through the chic gates of Bal Harbour’s latest luxury residential development: Oceana Bal Harbour, created by none other than the Argentinian art mogul and real estate developer Eduardo Costantini.
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With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on
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Portugal Arte 10 EDP, a new month-long biannual art exhibition, announces its inaugural edition to debut July 16, 2010 in Lisbon
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A couple of weeks ago, art critic Tyler Green, who writes the popular arts-blog Modern Arts Notes, fired off a Twitter-dismissal of the Cowboys Stadium
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Garth Weiser (b. 1979, Helena, MT) works in Brooklyn and Hillsdale, NY. In 2017, Weiser will present a solo exhibition at The Contemporary Austin Art Museum, Austin, TX. Weiser was recently the subject of solo exhibitions at Casey Kaplan, New York, NY (2015); Altman Siegel, San Francisco, CA (2014); and White Flag Projects, St. Louis, MO (2010). His work has additionally been included in numerous group exhibitions: Pattern: Follow the Rules at the Eli and Edythe Broad Museum at Michigan State University, East Lansing, MI (2013); Albright-Knox Art Gallery, Buffalo, NY (2012); Nothing Beside Remains, curated by Shamim Momin, Los Angeles Nomadic Division (LAND), Marfa, TX (2011); Seeing is a Kind of Thinking: A Jim Nutt Companion, curated by Julie Rodrigues Widholm, Museum of Contemporary Art Chicago, Chicago, IL (2011); and Big New Field: Artists in the Cowboys Stadium Art Program, Dallas Museum of Art, Dallas, TX (2010). Weiser’s work is additionally held in the collections of prominent institutions, including San Francisco Museum of Modern Art, San Francisco, CA; Dallas Museum of Art, Dallas, TX; The Hammer Museum, Los Angeles, CA; The Whitworth, University of Manchester, Manchester, UK; Eli and Edythe Broad Art Museum: Michigan State University, East Lansing, MI; Albright-Knox Art Gallery, Buffalo, NY; Museum of Contemporary Art, Chicago, IL.
For additional information about this artist, visit Mutual Art
